Hip-Hop Revolution: The Culture and Politics of Rap (CultureAmerica)

$40.00 (as of January 25, 2019, 6:00 am) $31.95

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On the earth of hip-hop, “keeping it real” has all the time been a number one function—and realness takes on special that means as rappers mildew their pictures for street cred and an increasing number of measure authenticity Via ghetto-centric notions of “Who is badder?”

In this groundbreaking book, Jeffrey O. G. Ogbar celebrates hip-hop and confronts the cult of authenticity that defines its very important character—that dictates how performers walk, communicate, and specific themselves artistically and in addition influences the shopper marketplace. Hip-Hop Revolution is a balanced cultural history that appears past terrible stereotypes of hip-hop as a monolith of hedonistic, unthinking noise to expose its evolving sure role inside American society.

A creator Who is in my opinion encountered a lot of hip-hop’s icons, Ogbar strains hip-hop’s upward push as a cultural juggernaut, specializing in the way it negotiates its own sense of identity. He particularly explores the lyrical global of rap as artists struggle to outline what realness approach in an art where magnificence, race, and gender are central to expressions of authenticity-and the way this realness is articulated in a society ruled Via gendered and racialized stereotypes.

Ogbar additionally explores problematic black pictures, together with minstrelsy, hip-hop’s social milieu, and the artists’ own historical and political awareness. Ranging around the rap spectrum from the aware hip-hop of Mos Def to the gangsta rap of 50 Cent to the “underground” sounds of Jurassic 5 and the Roots, he tracks the continuing quest for a singular and credible voice to turn how complicated, contested, and malleable these codes of authenticity are. So much essential, Ogbar persuasively challenges extensively held notions that hip-hop is socially unhealthy—to black youths specifically—Via addressing the tactics wherein rappers critically view the recognition of crime-targeted lyrics, the delinquent messages in their peers, and the volatile politics of the word “nigga.”

Hip-Hop Revolution deftly balances an insider’s love of the culture with a student’s detached critique, exploring standard myths about black tutorial attainment, civic engagement, crime, and sexuality. Via cutting to the bone of a way of life that many outsiders in finding threatening, Ogbar makes hip-hop realer than it is ever been before.


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